Cube Will Buy Itself

Back in December we held a free all day/all night event called Microcosm that aimed to showcase the array of talent that is/was/will be the Cube, and raise awareness for the buying the building campaign via a public debate (which was filmed and will, one day, make it to a blog post I hope [not going to happen, but available internally to any interested vols – Ed]).

Many of the current volunteers were particularly moved by a message that was received from Hannah G, formerly of this parish and now living in Canada, so I was delighted when she agreed to let us use an excerpt for this month’s podcast, which you can hopefully find here – Hannah’s message begins at 19 mins and 40 seconds. Enjoy!

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Abandoned “New” Cubewebsite from half a decade ago . . .

While employing some advanced google searching to try and find evidence of the early and influential “Film Jam” events The Cube did, basically to prove we were always well head of the curve – in the previous century in fact – given the “Bring Your Beamer” event at Spike soon, I instead happened across this : http://microplex.cubecinema.com/newcubewebsite/about/ . . . possibly interesting to some!

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cutting edge CELLULOID

At the recent Kino Climates meeting in Bruxells I developed an idea to address differences and common ground alliances between the participating venues and groups.

It emmerged that an enduring committment to Film, that is the medium, the material of Celluloid, has a defining significance for many orgnisations and for many complex overlapping reasons. I am developing this logo or glyph idea which is shown below.

The basic idea is for venues to display the version of the logo (there are several) which displays the film/celluloid format which they can present, here for example 35 16 and 8 mm. The shape with the numbers inside is a perforation, a KS perforation which is the standard shape for all 35mm films. The shape above it is another type of perforation, a BH perforation which is the standard hole for 35mm negative film, ie film used in production. Numbers in here would represent the celluloid formats which the venue or organisation can WORK with, in a Lab, production or artisanal sense.

This then is attempt to draw connection between the brilliant Lab movement in Europe and the Cinema movement. As well as mobilise support of Film behind the term Celluloid which although not correct for modern film material (which is either polyester, acetate or  estar) actually emerges as the most essentially unmistakeable term for all these things. Film by contrast now means almost anything. Celluloid is now in crisis and Cinemas like ours have a new role in the actual preservation of film based moving images alongside the archives and film museums.

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History Transmission

Below is a picture of something that has really inspired me.

It is Cinema Nova’s entire programme Archive. Cinema Nova is in Bruxells and is perhaps our closest sister Cinema project, in terms of its ethos, style, spirit, local status and history. If you are interested in the Cube Cinema you should really take time to study Nova.

Their Archive is a feat of classic paperwork organisation. A sadly diminishing art nowadays as our whole life and even aspects of our afterlife become become more and more the property of Americans. (Most of the Cubes doesnt of course thanks to the brilliantly radical existence of Sparror)

They print about 12 – 16 thousand programmes and actually mail out, thats snail-mail, physically post about 5  thousand to about 15  different countries.

They regard this world of paper information as a large, dispersed historic record of their activities that would remain intact and dignified even after Novas demise.

Taking a leaf out of their book I am planning on setting up a similar system at the Cube Cinema, Bristol, England. There is a sample in the office, on the new shelves on the right. It would be nice to hear what people think.

The programme Archive is a considerable document. Each one reads like a blueprint of what is possible and what has been done. Each one records a moment and a praxis. But more radically its the ‘missing’ information that perhaps might be the most inspiring and mission-critical to the Cube. Thats the responsive data, the critical reviews, the comments, the feedback, the financial imprint, the statistics, the reasons, the thinking and the lessons. Each monthly programme almost needs a counter-programme, a mirror copy whose negative shape is defined by the positive output of the delivered events.

Id like to propose an experimental attempt at this for January 2013 programme. Anyone want to help?

Here is a picture of the Cinema space in Nova.

In case you were in any doubt about the pleasant Civil nature of Bruxells heres is a photo of phone booths at the station (note the lack of stickers, graffiti, vandalism and failed maintainance) and these dinky little electric cars that you can rent.

 

 

 

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Seeing Clearly

Finally we have clear glass  (like most windows) in the lounge.

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Sound Start to the Past

After a packed screening of Moonrise Kingdom on Sunday and Monday I treated the punters to some analogue slide projections. These machines are amazing. They used to cost hundreds of pounds and I can understand why. They can stick a little picture which you’ve made up on a massive wall and run it all night without a computer in sight or a video projector getting its chip burnt out. Has made me think that this is the future of Graffiti. All we need is white walls.

I set  up the projector by the back door of the projection room and a portrait format slide fitted the wall of the neighbours annex perfectly.

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Podcastin’

I’ve decided to take a break from the Great Volunteer’s Bar Prices debate of 2012 to get around to uploading this picture I took of a few of us podcasting last Sunday. We decided to do the listening public a favour by customer testing our extensive drinks range, by way of a little bar roulette.

The heavily edited results will be featured in August’s Cube podcast.

Podcasting with Tom F, Al, Marian, Jamie, Will, James & me

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BLUESCREEN

Get your films ready because Bluescreen returns 25th July @ The Cube Cinema!

Join up to our Event Page here

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Mariee Sioux, Sarah Johns Music Party & Martin Aloysius Brignall

I hope you all enjoyed last night’s magical gig at the Cube courtesy of Mariee Sioux, Sarah Johns Music Party & Martin Aloysius Brignall. Lovely music made by lovely people, I think you’ll all agree.

 

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Morricone night at The Cube

If you missed it… here it is all over again!

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