The Haiti Kids kino Project

The HAITI KIDS KINO PROJECT

Extending the reach of its film program, the Bristol’s Cube Cinema is traveling to Dominican Republic to set up temporary social cinemas for refugee children affected by the Haiti earthquakes.

The HAITI KIDS KINO PROJECT

Organised by the Cube Cinema’s children’s wing, Nanoplex, The HAITI KIDS KINO PROJECT will screen feature films for Haitian children, while providing workshops and equipment for children to make their own films and exchange them with children’s films made back here in the UK.

Sharing the experience of making and watching films, while offering temporary childcare facilities, this is a goodwill project to provide a small opening for escape, community, emotion and social occasion.

Children are experiencing untold damage and despair. Further anxiety grows through inaction, loneliness and boredom. The HAITI KIDS KINO PROJECT is working in dialogue with established NGO’S, to contribute to quality of life through creating, sharing, forging friendships and connections, and cinema.

Two Cube Volunteers will be going out at the end of February, and we are raising funds for screens, cameras, films, vaccines, flights, etc.

‘Cinema Kib ape organiz ene banne cinema socyal temporer a kot pu vinne en l aide banne zanfan ki finne soufer dans tremblement la t erre dans Haiti.’

This is a Big mission for a Little Microplex and we would love to have your support. Spread the word and dip into your magic pockets of love.

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DONATE
– To donate the old fashioned way, please send cheques made out to ”Cube Cinema Ltd” , The HAITI KINO KIDS PROJECT c/o The Cube Cinema 4 Princess Row Bristol BS2 8NQ
– Or donate this way : The HAITI SCREENINGS http://www.bristolticketshop.co.uk/cgi-bin/shop.cgi?group=Haiti
You can buy tickets online, by phone or in person from Bristol Ticket Office http://www.bristolticketshop.co.uk/cgi-bin/shop.cgi?group=Haiti for a screening in Haiti or The Dominican Republic. And, if you can’t make it yourself (!), don’t worry because your seat will go to a Young Haitian Person, and the £5 price of a ticket, goes to raising funds for The HAITI KINO KIDS PROJECT . Its another, quick and easy way to donate.
BRISTOL TICKET SHOP 0870 4444 400 / 0117 929 9008, 26 Union Street Broadmead, Bristol, BS1 2DP , or go direct to http://www.bristolticketshop.co.uk/cgi-bin/shop.cgi?group=Haiti
Please buy as many tickets as you can. Its a great way to donate.
– And if you want to make a significantly large donation, please get in touch directly haitikidskino@cubecinema.com
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FUNDRAISING EVENTS
Event 1

Nanoplex Presents… Haiti Kids Kino Fundraiser
21 February, Cube Cinema, Bristol

2pm – 6pm KIDS KINO CLUB SPECIAL (film + games + fun)
8pm – 11pm KATH BLOOM + SLOW (music)

£8 for joint ticket Kath Bloom and Nanoplex Haiti Fundraiser
£4 per child and adult for only Nanoplex Haiti Fundraiser

Children’s afternoon cinema and workshops, including short and long films, demonstrations on how to project in public spaces and making film postcards for Haitian children, followed by extraordinary evening gig by blues/folk legand Kath Bloom (www.qujunktions.com/asp/main.asp?style=gigs)
KIDS KINO CLUB includes – Screening Azur and Asmar- The Princes‘ Quest (2.15PM): : Outdoor projector and children’s film workshops : : Enclounters Shorts for Children : : The Red Balloon (5.15pm) : : All day: cake sale, raffle (win an afternoon at the Cube with your favourite film)

We hope to have some special cinema guests at the afternoon event talking about similar programmes and what this project could mean for the children and their families and The Cube itself.

Buy Tickets:
– BRISTOL TICKET SHOP www.bristolticketshop.co.uk
– THE HERE SHOP, Stokes Croft (in person)

Event 2

HOW COME… Presents… A Multi Venue Night of Music, Film and Djs

with JOHN PARISH + GET THE BLESSING + THE MOLES + ZUN ZUN EGUI + SHOGUN KUNITOKI + MEN DIAMLER +AYE AYE + SPIN SPIN THE DOGS
+ ¨World Beatz co-hosting the bar with World Beatz DJs + Chew Magna + Young Master + Fat Paul + The Janitor + a secret special guest.
6 March / The Cube (6-1am) & The Croft (8-3am) / £8 adv

NOTE: As this is a multi-venue show, a ticket does not guarantee that you will get into the venue of choice.

Buy Tickets:
– BRISTOL TICKET SHOP www.bristolticketshop.co.uk
– THE HERE SHOP, Stokes Croft (in person)

For more info: www.qujuktions.com

ALL PROCEEDS GO TO The HAITI KIDS KINO PROJECT

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COMING SOON…

– The Kids Kino Kollection – especially for The HAITI KIDS KINO PROJECT, some (in)famous filmmakers, film indy persons (critics, producers, animators, actors) – including Mark Cousins, Tony Grisoni, Gareth Evans of Vertigo, Mark Cosgrove from The Watershed, Encounters Film Festival and Alan Bishop of Sublime Frequencies – are curating inspiring children’s films for us to take. Check back on http://nanoplex.cubecinema.com/haiti_kids_kino.php forwhat will become the best children’s international film collection, ever.

– As well as much-needed money, why not also send us your old children’s DVDS?
for this exchange – please address to The HAITI KIDS KINO PROJECT, The Cube, 4 Princess Row, Bristol, BS2 8NQ, United Kingdom
– LadyLucy T Shirts on sale soon : Check back on http://nanoplex.cubecinema.com/haiti_kids_kino.php for more information

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ABOUT THE CUBE & NANOPLEX

Nanoplex is an offshoot of The Cube that accommodates young minds, encourages active learning and creativity and hosts workshops, cabarets, film screenings and gigs.

The Cube is a volunteer-run organisation, based in inner-city Bristol, active in community life, producing and exhibiting art and culture. The Cube was set up to provide people who want to get involved with an outlet, a cultural and social exchange, and with something good to do. Recognised for innovation, open-source administration and resistance to difficult times, the Cube also has experience of setting up cultural exchanges and cinemas in challenging locations (Cornish tin mines, abandoned multi-story car parks, permaculture gardens, festivals over Europe, Nepal and even in Newcastle)

As a provider of grass roots cultural exchange ,this is the most direct humanitarian response The Cube can offer

The HAITI KIDS KINO PROJECT will initially be based in the Dominican Republic/Haiti Border (where many Haitian refugee children are based) and only intends to move to Haiti if conditions allow.

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The Cube Cinema is a non-funded, volunteer-run organisation – and help towards this, however small or large, makes a crucial difference to getting this project under way.

Press and Publicity enquiries abigail@damsonpr.com

To get involved and FFI haitikidskino@cubecinema.com

PLEASE SPREAD THE WORD, DONATE, OFFER HELP and ASSISTANCE.

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Naked Lunch @50

So a few months ago was a fascinating evening all about the legendary book Naked Lunch. This was a follow up to another great night all to do with William .S. Burroughs in which the The Cube Orchestra scored one of Burrough’s cut up films and I accompanied some poetry on drums.
Burroughs’ films are a firm fave of The Orchestra because they have lot of moods and interesting images for us to interpret through sound. Anyway there was also some rare stuff that Ben and gang had tracked down a well as some experts talking all about it. Sady I coldn’t stay for the whole thing but Ben captured some on video.

The night was a great example of what The Cube offers to Bristol that no where else can or does. Our thanks to everyone involved and to those who joined us.

Big Love daddio, Richie Paradise Richie Paradise x

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Bluescreen – 28.10.09

Hello Filmmakers!

Yes its that time again of the month again and we look forward to seeing you all at the next
Bluescreen screening, which is on Wed 28th Oct @ 8pm at The Cube. Door Tax: GBP 3/2.

Screenings from 8.30 onwards!

http://www.myspace.com/cubebluescreen

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Limbo (with Gerald Tyler), Eyebrow & Dave Perry

Saturday 22nd August 2009

Jazz in the Cube garden on a summer evening.. the idea might sound like one of those things that people would take on board as just a pleasant ambient backdrop for their conversations over a drink and a cigarette: something akin to “Dinner Jazz” playing on the radio as a background to a middle class dinner party. But when Dave Perry took his alto saxophone outside to play a solo set to kick off the live music for the evening, people were unusually attentive and became entranced by the bewitching sounds.

In typical Cube style we’d forgotten to turn on the garden lights, so as the end of day light faded into an ever-darkening twilight, the garden became illuminated as much by the unearthly glow of the Neon sign above as the sun itself and descended into a reverent hush. Not that sort of jazz gig nervous hush where people want to chat but feel too self-conscious about getting glares from nearby beard-stroking jazz aficianados, but relaxed sighs at beautiful tones and playfully lyrical excursions reverberating gently back from the surrounding buildings. In the background, the occasional distant sound of police sirens going up Stokes Croft seemed a world away (as well as too much of a soundtrack cliche to be real).

On the first few pieces, I can’t claim to have been able to follow quite where the music was going (but then I don’t think it was intended to be “understood” as such). Instead it was just a joy for me to hear someone making such warm and emotive sounds and to gradually tune in as he seemed to explore various melodic ideas – wandering away from anything as confining as a rigorous song structure to improvise over. There was also a certain playful element (cheeky even?) in the variety of sounds he was bringing forth from his sax – not that feeling sometimes associated with experimental music of someone trying to coax awkward sounds out of an instrument that it was never intended to play just to be seen to be pushing back the boundaries. No – this came across as much more of a man at great ease with – and having great sympathy for – his sax. It was a surprise to hear later that this was actually an instrument he had just recently borrowed from a friend and was rather unfamiliar with.

On some of the later pieces, a rhythmic groove seemed to evolve (though still a million miles from a vamp or a self-imposed jam) around which he intertwined his musical ideas. Even one of the Cube neighbours was reported to be seen nodding gently as they did the washing up. (Good to know that sound coming from the Cube can occasionally be enjoyed by our neighbours, rather than a cause for annoyance.. a tricky thing at times for a venue in a residential area).

The set came to an end to appreciative applause and smiles all round at having experienced something that was (certainly to my mind) rather special and touching. Those people who had earlier stepped in off the street and got no further than settling down on the metal steps down into the garden wandered inside to pay their entrance dues. The garden lights finally got switched on. And this was just the start of the evening..

(And thanks to my fellow volunteers that night, who so graciously let me derelict my duties to hear a bit more of the music).

Posted in Music, pretend you're more highbrow than you are, Qu Junckions | 1 Comment

Les Cox Sportifs Are playing tonight

Les Cox Sportifs are playing tonight. You should go and see them.

They are really really good.
Christo from The Star and Shadow Cinema is the drummer.

Les Cox Sportifs

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cube orchestra / fourth plinth / trafalgar square

Andy Duncan writes

Dates are important!! Birthdays, Christmas, Independence days, the outbreak of war, victories, defeats, terrorist attacks. And so it was that 13 July 2009 will be remembered as another milestone in the history of the Cube Improvisers Orchestra despite the absence of some founding fathers & mothers.

The unearthly hour of 06 20 heralded the dawn of a new day, as I headed off to link up with Gerry & Steve for our trek to the Cube meeting point. A comfortable & (more relevantly) reliable assault vehicle had been commandeered by Oliver & there were a further 3 fellow musical-explorers, Moses, Pauline (from Feral Choir) & Jerry (making a rare appearance). We were drop-outs from musical conservatism & boredom although we had lost some other drop-outs along the way, fortunately not by them exiting the vehicle at high-speed on the motorway though. These fools may regret their absence one day.

Trundling down the M4, us slaves to anti-rhythm were bombarded by the strains of The Fungus Moth at Venn08, string abuse from Henry Flynt, Coldcut & some dub, reminding us that we were travelling from its capital in the west. Moses claimed that he would be looking for some loose tea leaves later but I am not convinced that he had those leaves in mind , I am sure we saw your dealer later in the day mate!!

Despite congestion on the approaches to the heart of the hub, we avoided the charge by fortuitously finding a parking spot near Ravenscourt Park tube station, although we were limited in our enjoyment by 8 hours. Negotiating the underground & its mass of peak season Euro-tourists we were advised along the route that the train had stopped at a red signal. Do they do that sort of thing often these days? We arrived at Trafalgar Square via Westminster in good time. Did we make a respectful sign as we passed Downing Street? And where the horses eyeing us suspiciously as we passed & was that a camera I saw hidden in one of their ears?

Arriving at the fine & majestic location, we found the 4th plinth occupied by someone who looked as alive as a garden gnome. However the musicians started to appear: a group of singers wearing Coma t-shirts ( our music designed to shake u out of one of course!). It did bring to mind the old Alien Sex Fiend ditty “She’s in a coma dial 999/911”!! So appropriately I donned the old terror wig that had worn at St Georges & Junction looking more depraved than Nik Fiend!!

Brass, string, melodicas, harmonica, percussion mingled & mumbled as the anticipation built. And now “The Ebb of Acrophobia” (or fear of heights) was about to begin. Appropriately Lawrence Reed, one of the co-composers who suffers from this condition was hoisted on to the plinth and appeared scared absolutely shitless. However his subsequent commands were clear, calm & encouraging via a megaphone. Some of us too were apprehensive of spoiling a grand occasion. However where was Barnabas, the other co-composer? Surely the nerves of the occasion had not prevented his appearance or was he hidden inside the plinth, secretly viewing the proceedings?!!

Cameras buzzed, tourists walked by with a mild interest, others stood around us unaware of the cacophony that was about to be unleashed. The music began, slowly, droning, humming, some vocalising, others scraping, blowing & pounding out pseudo-rhythm. The sky turned black, large ravens appeared, the 4 Horses of the Apocalypse screamed, the sirens wailed but the Gods realised that it was not the proper time to unleash a torrent of water & the clouds passed constipated. RESPECT!! Heat was absent too although perhaps for the best as prevented any celebratory swim in the fountains aftewards or turning Trafalgar Sq into a venue for Roman/Turkish Baths.

Feral vocalists sung & an impressive Soprano sang out her joy at participating: her talents were impressive & would not have sounded out of place at the Hungarian State Opera, which was being promoted by one of our fellow performers.

The final moments arrived, I had just started loosening up when was time to conclude. Thought about solo Fungus performance but that telepathic thought soon resulted in the dispersal of the throng! I for one could easily have played for another 2 hours or so. However I was also so intent on the work at hand during the hour that barely noticed the rush of the metropolis close at hand or even the stunning architecture that I know so well of course.

Just as we finished, with Lawrence shakily descending again from the plinth, Barnabas arrived. Had he been hiding? Fate had decided to play a cruel trick with her hand again, as he & his mates had incredibly broken down on the M4 & had had to travel by train from Maidenhead, as said timed to arrive at the exact point of conclusion.

Still humming from the great event we then headed to a local bar, Champagne Charlies where fine wine was had by all & hopefully new beginnings were forged in future successful collaborations between these fine composers & the Orchestra.

Later people had a couple of hours to do their own thing: Pauline sadly had to leave early so missed our journey back, but Moses got his leaves (we never did see the proof that they were tea!), & Gerry, Oliver, Steve & Jerry discovered some culture I presume. Meanwhile I headed up to Hackney, had a couple of pints of superb cyder (strangely was called Olivers) at superb pub there , the Pembury Tavern. Was there a twist in the tale? Well, we did all get back to Ravenscourt Park by 18 15, I breaking the law again by cidering on the tube although saw more blatant misusers also. Such is the comedy of our society. Maybe the twist in the tale is that for me London is not the ogre I believed it to be a lot of the time in 1990. Now more like a friendly dragon.

Is there any more to tell? Only that we had very good trip back, entertained by music from the Orchestra & some Khaled. It is a day that will be remembered forever, certainly by me. Every time I get the Nat Xpress now I’ll tip my hat to the Ravens as I nibble my beef sandwiches.

Andy Duncan.

CREDITS: Massive thanks to Barnabas for the invite & letting us be a part of amzing occasion. I can’t wait to see the film footage mate. Also obviously many thanks to Lawrence likewise, to Oliver for the perfect driving & to Gerry, Steve, Moses, Pauline & Jerry for being very good company & tolerating my comments!! See some of u soon.

View the webcast of the event at www.oneandother.co.uk/participants/vertigo

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Come to the BLUESCREEN vs SHAMBALA Party 24th July

HeLLo hELLO,

Bluescreen here with exciting details of an event we’re co-hosting with Shambala Festival, read on………….

BLUESCREEN vs SHAMBALA..In conjunction with The Shambala Festival, we’re having a party at The Cube Cinema! And those lovely people at Shambala are giving us the opportunity to give 2 lucky filmmakers, whose films wins the audience vote on the night, the chance to make a film at this years festival!! Heres the lowdown…..

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Bluescreen vs Shambala
The Cube Cinema, Bristol
Friday 24th July 2009
8.00pm GBP 4/3

Party on with Bluescreen and Shambala in a magical mystery tour of film and music to celebrate the coming of the Shambala Festival 2009 (27-30th Aug). It all starts with Bluescreen…

Bristol’s longest running open screen short film night, in collaboration with Shambala, is offering 2 local (ie Bristol ish) filmmakers (and crew) a chance to win free tickets to make a film at this years Shambala Festival!

After the films we’ll be warming up for the festival season with D.J. sets from both Bluescreen and Shambala’s finest, and a live act specially chosen by Shambala.

FILMMAKERS:
Bring along a short film, usual format. No longer than 20 minutes, whatever you want to show on the Cube’s big screen. After the screenings the audience will vote for the two winning films. The 2 winners will receive: 4 free festival crew passes each, plus tapes and access all areas at the
festival, as well as a chance to make the official Shambala film for the year to be screened at the Shambala Awards Ceremony later in the year!

Films on first, DJs in the bar all night and the band on after the film screenings.

Come early for film submission (filmmakers free as usual). Get involved!

www.shambalafestival.org
www.myspace.com/cubebluescreen

**PLEASE NOTE: FILMMAKERS WHO SUBMIT FILMS ON THE 24TH MUST BE THERE IN PERSON ON THE NIGHT, BE AVAILABLE TO FILM BETWEEN 27-30TH AUGUST AND ALSO GET TO THE FESTIVAL UNDER THERE OWN STEAM.**

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THis is how the Bluescreen summer calender is looking currently:

24th July – SHAMBALA vs BLUESCREEN Party – THE CUBE CINEMA, BRISTOL
28th Aug – BLUESCREEN @ SHAMBALA FESTIVAL, NORTHAMPTONSHIRE
30th Sept – THE CUBE CINEMA, BRISTOL
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See you all on the 24th for a great film ‘n’ music mashup!!

Bluescreen.

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Bluescreen – Coming your way Wednesday 17th June

Greetings. Bluescreen has its last ‘regular’ bluescreen night on 17th June before taking a summer break (details below) . So get those films in!

Plus (I) we are pleased to announce a very special Bluescreen night happening in July at The Cube Cinema, in conjunction with Shambala Festival. At which Shambala will be giving the opportunity to 2 filmmakers to win free tickets to go and make a film at Shambala Festival 2009, in august! (Check in at our myspace site for more details)
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BLUESCREEN

Date: Wed 17th June /Time: 7.30pm /Door Tax: GBP 3/2

Its the last Bluescreen for a coupla months, So we want to see those films! If you’re a Filmmaker, BRING them along (20 mins or under) and we will put them up on the Cubes Big Screen.

We want you to bring your mini features, animations, no budget low budget, promos, experimental, whatever shorts!

Dont forget we are looking for short films for our slot at this years Shambala Festival, if you wanna submit a film, please bring it along tonite.

NOt a filmmaker? Come along anyway and check out some of the best of Bristol made films.

Kicking off the evening will be a LIVE score, to archived bluescreen Films, by the CUBE’s very own in-house ORCHESTRA.

Then your Films! Bring along DVD, Mini DV etc.

DJs Bluescreen Hi-Fi, will be spinning the toones in the bar throughout the evening.

So come to the Cube’s favourite and Bristols ONLY truly independent OPEN screen Film night and experience the best in Bristol Filmmaking!

Bluescreen- screening Films since 2001.

FFI: bluescreen@sparror.cubecinema.com
http://www.myspace.com/cubebluescreen

Good Filmmaking!

Bluescreen

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Beardyman in The Cube in the June . . .

https://sparror.cubecinema.com/mr_hopkinson/beardyman/june%20flyer%20web.jpg

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slo-mo #2

coming sooooooooon

Posted in Art, Artists, Audio, dj, Events, Film, flyers & posters, General, Life, Music, Projections, Video | 1 Comment