Two events coming up at the Cube…
Another December cabaret with a host of acts and treats

And Fascinating Virtue, a rural New Year’s Retreat inside the Cube

Thanks to Mr Hopkinson for our glorious FV poster!
Two events coming up at the Cube…
Another December cabaret with a host of acts and treats

And Fascinating Virtue, a rural New Year’s Retreat inside the Cube

Thanks to Mr Hopkinson for our glorious FV poster!
Hey gang,
Why it was just one month ago that we celebrated 10 years of The Cube. Just before that momentous weekend, Me and young Polly Pocket met a couple of local hacks from Bristol’s favourite paper The Bristol Evening Post. Martin and Dave turned out to be a couple of lovely chaps, Dave had even worked in an Arts theatre before and bore the scars of watching Derek Jarman‘s Jubilee 3 times on the trot (there’s only so many times you need to see a skinhead buggering someone on a Union Jack).
Anyhooo here’s what ended up in the paper:


Thanks to Eva who helped organise this.
Big Love,
Richie Paradise
Roll up, Roll up for the last bluescreen of 2008!
WED 26th NOVEMBER. CUBE CINEMA, BRISTOL.
DOORS 7.30. FILMS ON 8PM+. GBP3/2 & FILMMAKERS IN FOR FREE!
The Cube Cinema will be the place to be on the 26th, where you can check out the best in local filmmaking!
So tell your friends and come and show off your films, new and old up on the big screen!
Plus the seductive sounds of Bluescreen Hi-fi in the Bar!
And also maybe an appearence from the Cube Orchestra.
For further news and updates, check in at our myspace site here:
http://www.myspace.com/cubebluescreen
See you on the 26th.
bluescreen x
barack-obama-wins-the-insanity-is-over/
As mentioned in the above linked post, The Cube’s election night makes a brief appearance in this local itv clip

mr_hopkinson’s computer, you may know : http://www.computersings.com
Here’s the full Banana Skinny on Doug Fishbone :
I think you might dig his uncomfortable / comfortable joke telling styles :
Artist Doug Fishbone will be performing one of his celebrated comic slide-show lectures, taking his audience on a journey through his mildly warped imagination, with a special nostalgic look at the Cold War, and his childhood growing up in New York City.
Illustrating his narration with hundreds of images downloaded from the internet, Fishbone has come up with a new and innovative form of story-telling that sits strangely at the crossroads between high and low, leading one critic to describe him as a “stand-up conceptual artistâ€. His work weaves complicated visual and narrative tapestries that recycle the imagery of the mass-media, satirizing many of the outrages and excesses of the contemporary moment in the process.

Doug Fishbone is an American artist living and working in London.
He earned an MA in Fine Art degree at Goldsmiths College in 2003 and was awarded the Beck’s Futures Prize for Student Film and Video in 2004.
He is perhaps best known for his project 30,000 Bananas – a huge mountain of ripe bananas installed in the middle of London’s Trafalgar Square and later given away free to the audience – in October 2004.
Fishbone’s video and performance work was included in the British Art Show 6 in 2005-2006, a national touring exhibition held every five years to feature the best in contemporary British art.
He had his first major solo project at Gimpel Fils in London in October of 2006, and performed at London’s Hayward Gallery in February of 2007 and at the ICA in London in July of 2007.
More recently, Fishbone was commissioned to create a video for the Beck’s Fusions programme in Trafalgar Square in September of 2007, and was voted one of the Future Greats of the art world in the annual survey of Art Review in 2007. He recently participated in the exhibition “Laughing in A Foreign Language†which opened at the Hayward Gallery in January of 2008, and staged a performance at the Southbank Centre in March.
He is participating in the Busan Bienniale in Korea in September of 2008.
Fishbone was born in New York City in 1969.
Maybe see you there and spread the word if you can . . .
Hey Daddios,
Some orchestral musings from the worlds favourite Richie FACT. Thursday saw a collaboration between The Heavy Heads and Orchestra Cube for an evening dedicated to the Beat Writers. There were several very rare films, one of which had been saved and rearranged by Genesis .P. Orridge which featured good old Uncle Bill Burroughs. This film featured a live soundtrack by The Cube Orchestra. I thought we did a really good job and we featured a good cross section of instruments; Pedal steel Guitar, keyboards (x3), Harmonica, tabla, saxophone, drums, therimin, electric, bass & acoustic guitars and violin. Good job chums.
After that I improvised some drums whilst Poet Bij did his thing
I have to admit I’ve always loved the Beats, especially Kerouac so to be able to do something like this was great, big thanks to The Heavy Heads for letting us have the opportunity.
Keep searching for ‘it’ baby,
Big Love,
Richie Paradise
So rry for being slack getting back with pics and words from the CUBE-X event, meanwhile here’s a delightful e-mail from Lea . . .
Hello,
we had four very good, very enjoyful days of birthday party celebrations.
I particularly liked Friday with its shifting locations and lights for the concerts, there was Rasha’s “Out of Exit Door” short birthday songs, Lady’s aspirated birthday song in the lime light of a spot following light, Timmi’s synchronising techno beats from his Korg and other synthesizers and little folk renderings with offset voices in the upper right corner with Rozi and a man whose name I don’t know. Fat Man leaning back operating the musical atmosphere from one of the back rows and and and…and.And I liked Thomas Truax on Saturday, but I can’t say anything about the performers preceeding him as I did not see/hear them.
I liked his electric-devices and the mumbled rhythms coming out of them.
He embraced the space of the Cube by appearing and disapperaing during his “Wagtown” song. On and off he was, on and off.
And great lighting enhancing the devices’ presence.Really great!
All the best to you all!
Bye,
Lea
Beardyman performs at The Cube tomorrow for the first Cube-X event . . .
As you may have heard through other channels, the Venn festival, after 5 years of bewildering excellence, has joined Blackout at Ashton Court in the shaded area of this diagram . . .

From my perspective a terrible loss – quite apart from the permission it gave for extraordinarily enriching electicism, I’m sad there will be no Venn Ten, or slinky sounding Venn SeVenn – but it is apparently an amicable parting of ways and an admirably brave decision to disperse before it ever stopped surprising . . . for the full skinny check the Venn Myspace.
On the Venn ending theme, I couldn’t resist this visual pun at the end of the visuals for the first Tag Team event in 2004 . . .

. . . and wheeling it out again for the end of the Documentary I made with Amy Feneck and Lady Lucy in 2006/7 . . .
If you would like to watch the documentary, I’ve put it up on YouTube in two parts . . .
And if you really really really want to watch the backdrop for the original tag team you can see it here . . .
Original tag Team backdrop – just the backdrop, not the bands
. . . but it will take a while.
And if you fancy a browse of the cubelog archives for Venn stuff, go here . . .
https://sparror.cubecinema.com/cubelog/category/venn-festival/
So, thank you Venn for V years – it’s been a blast.
Now . . . back to CUBE X